By Bob Garver             Simply put, “Toy Story” is my favorite movie franchise of all time. The 1995 original about cowboy doll Woody (Tom Hanks) fighting for relevance against hi-tech spaceman action figure Buzz Lightyear (Tim Allen) was about the most fun a kid could possibly have at a theater… until three worthy sequels came along. And yet here I am, saying that “Toy Story 5” is a big step down for the franchise.             The main character of this movie is actually Jessie the Cowgirl (Joan Cusack), a doll introduced in the second movie with a tragic backstory of being abandoned by her human owner. Now she’s owned by 8-year-old Bonnie (Scarlett Spears), along with Buzz and other familiar figures, when the youngster is gifted frog-themed electronic tablet LilyPad (Greta Lee). Soon Bonnie is addicted to the screen, and the cowgirl has to fight for relevance against the hi-tech newcomer, eventually pulling in “lost toy” Woody for a rescue effort.             The movie emphasizes helping humans make human friends, which is a nice touch, but too much of the movie is just par-for-the-course toy rescues, jokes, and bickering. Even heavy emotional moments are hit-and-miss. It’s also worth mentioning that …

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By Bob Garver             Last week, I reviewed “The Mandalorian and Grogu,” which was based on a series that I hadn’t seen, but I was well-aware of its larger world and its place in popular culture. This week is “Backrooms,” which is also based on a series that I haven’t seen, and was in no way known to me until a few weeks ago. Even once I did hear about it, it struck me as an obscure, niche product for horror nerds. Yet both films are estimated to have made over $81 million at the domestic box office in their first three days. How does this movie based on a simple series of web shorts find itself performing just as well as an entry into one of the biggest franchises in history? Like everything about “Backrooms,” I don’t know, it makes no sense, but I like it.             The film, which I understand to feature characters never before seen in the series (I also understand that one does not need to have seen the series to understand the movie… to the degree that one can understand the movie), follows Clark (Chiwetel Ejiofor), an unhappy, unsuccessful furniture salesman in early 90’s …

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By Bob Garver             In 1992’s “Aladdin,” one of The Genie’s few rules with wishes was that he couldn’t make people fall in love. “Obsession” is a movie about what happens when a wish for love is granted. It’s a horror movie, and a nasty one. The Genie was right to have that rule.             Awkward dork Bear (Michael Johnston) wishes for the romantic love of his longtime friend Nikki (Inde Navarrette) on a novelty willow stick. The wish comes true, Nikki is immediately smitten with him, and Bear reaps the rewards of her vehement affection. The woman Bear loves may not have any agency in the matter, and that’s problematic if he thinks about it, so he decides not to think about it. But of course, things go south for Bear once Nikki starts inserting herself into every corner of his life and finding creepier and creepier ways to express her devotion. Her love becomes… wait for it… obsession.             This movie gamely features some of the sickest scenes from a stalker thriller ever put to film, even if they borrow heavily from other stalker thrillers like “Fatal Attraction.” And Navarrette puts in a horror performance for the ages, …

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By Bob Garver             The 2021 “Mortal Kombat” movie was a disaster that left fans disappointed for many reasons, not least of which was that it didn’t feature any fights from the much-hyped tournament for universal supremacy. At least in “Mortal Kombat II,” we finally get the tournament. Only the first round is done somewhat properly before the thing breaks down into cheating, sneak-attack shenanigans, but it can’t be said that we are denied the tournament entirely.             A new character, outstanding-fighter-turned-action-movie-star-turned-washout-at-both Johnny Cage (Karl Urban), is the audience surrogate into the five-on-five fighting series on a distant planet that will determine the fate of our world. Cage fights alongside Sonya Blade (Jessica McNamee), Jax (Mehcad Brooks), Cole Young, (Leweis Tan), and Liu Kang (Ludi Lin) under the mentorship of Lord Raiden (Tadanobu Asano) against the forces of the evil Shao Khan (Martyn Ford), such as his queen Sindel (Ana Thu Nguyen), stepdaughter Kitana (Adeline Rudolph), her bodyguard Jade (Tati Gabrielle), and resurrected minions Kung Lao (Max Huang) and Kano (Josh Lawson). The first movie made another mistake killing off humoristic highlight Kano, fortunately this movie brings him back so he can steal the movie all over again.             “Mortal …

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June 5, 2026 Boone, NC – June 5, 2026- The Miranda character was written to spend more time making demands and throwing shade than acting like she belonged in a position to be so demanding. There was basically only one scene (and granted, it’s arguably her most famous scene) where she came off as someone who had truly mastered the ins and outs of the fashion and editorial industries, and the rest of the time I saw little more than a spoiled child. The main character, Miranda’s second assistant Andy Sachs (Anne Hathaway), and her supervisor, first assistant Emily (Emily Blunt) had their off-putting qualities as well, but at least their misery at working for Miranda was understandable and relatable.

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May 31, 2026 Boone, NC – May 31, 2026 – The movie follows Din “The Mandalorian” Djarin (voiced and played in “face scenes” by Pedro Pascal), a helmeted human bounty hunter who resembles, but is not related to, beloved franchise character Boba Fett. His young apprentice is Grogu, a non-speaking alien who resembles, but is not related to, beloved franchise character Yoda. I’m sure the origin of the team-up is explained in the series, but for now all I need to know is that that they are a team.

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