Movie Reviews

May 5, 2025 “Thunderbolts*,” the latest offering from the Marvel Cinematic Universe, seems like awfully familiar territory. In the film, a group of assassins, criminals, and burnouts band together to form a ragtag group of do-gooders looking for redemption. There are definitely shades of the MCU’s “Guardians of the Galaxy” in play. Or how about that Sony-controlled “Sinister Six” movie that may never materialize? Actually, the real template seems to be “Suicide Squad” from the DC Extended Universe. That was the crummy team-up of also-ran villains that had the hook of Margot Robbie playing Harley Quinn. “Thunderbolts*” can’t even boast Robbie’s Harley, but it also isn’t saddled with Jared Leto’s miserable Joker, so it’s roughly a draw. 

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April 28, 2025 “The Accountant” was a midsized hit from 2016 that until recently had a reputation as a wannabe franchise-starter that never got a follow-up. I watched the first movie for research last weekend, and I would have guessed that the reason the film went so long without a sequel was that the key players knew that they had made a lousy movie and wanted to do better things with their careers. But apparently there was enough interest to bring about “The Accountant 2,” a film popular enough to make for one of the most crowded screenings I’ve attended in recent memory. I can’t say that I really see the appeal – either before or after the screening. 

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April 23, 2025 If “A Minecraft Movie” is the commercial hit that 2025 needed, then “Sinners” is the creative hit it needed. Writer/director Ryan Coogler has delivered a film that starts off as a compelling-enough 1930’s period piece before wildly shifting into supernatural territory. But the later developments don’t devalue the efforts made in the setup, they simply put the well-established characters on a path they didn’t anticipate. Speaking of anticipation, I’m going to be vague with story developments so readers can go into this movie anticipating little more than an unspecified good time.

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April 15, 2025 After a mere two weekends, “A Minecraft Movie” has claimed the top spot of the 2025 domestic box office. It’s not shocking that this franchise piece beat out January fare, but since then we’ve had an MCU entry and this movie just blew right past it. And I have to ask: Why? Okay, I know why. It’s because the video game is popular. But bad movies based on popular video games flop all the time, why is this one in particular bucking the trend? Does the video game just have that big of a fanbase that they can turn it into a hit where so many similar attempts have failed? Or did fans and non-fans alike see the advertising for this movie and think that there might be a good movie here? I’m inclined to believe it’s the former, because I did not see any version of the advertising that made the movie seem like anything more than the hackery that it is. 

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March 31, 2025 Jason Statham has a new movie out. He plays with a guy who used to work in a violent profession, but he’s sworn to leave that life behind. But now some bad people have messed with his employer (the only people to help him out when he was at a low point), and he’s going to make the bad guys pay. Cue a series of investigations, interrogations, and of course, action sequences. He’ll go through several tiers of bad guys, until he’s contending with a huge crime empire that probably could have gone on unimpeded if a low-level employee hadn’t caused problems for Statham. Oh, and the whole thing is directed by David Ayer. The movie is called “The Beekeeper 2.” Okay, not really, it’s called “A Working Man,” but as similar as it is to that Statham vehicle from last year, it might as well be. 

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March 24, 2025 Disney’s “Snow White” is the latest live-action remake of one of the studio’s animated classics. In this case, it’s perhaps the biggest “classic” of all, as 1937’s “Snow White and the Seven Dwarfs” was the first full-length animated feature in American history, and in 2008 was named the greatest animated film of all time by the American Film Institute. The film’s historical significance is undeniable, but frankly I don’t think it holds up as entertainment. Advancements in both animation and sound recording technology have left that movie in the dust, not to mention that Disney writes their princesses with more complexity these days. So maybe a remake that smooths out some of the rougher edges of the past isn’t a terrible idea. But this movie goes in some directions that are definitely a terrible idea. 

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March 17, 2025 “Novocaine” stars Jack Quaid as Nathan Caine, a man with a condition that makes him unable to feel pain. This is an action movie, and it sounds like a man who can’t feel pain would fit right into the role of action hero, right? Actually, no. Caine’s condition is just terribly inconvenient in his everyday life. He could get cut or burned without realizing it, and if the wound is left untreated, he could get an infection. He doesn’t have the instinct to keep his tongue away from his teeth, so he has to abstain from solid foods or else he could chomp right into his tongue. He can’t even feel the pangs associated with having to go to the bathroom, so he just goes every three hours whether he needs to or not.

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March 10, 2025 “Mickey 17” is the kind of movie where you just have to trust the filmmaker to take you on a ride. Fortunately, it’s a filmmaker who has proven trustworthy with such rides in the past. Six years ago, writer/director Bong Joon-ho released “Parasite,” another movie that didn’t really telegraph its story. Even if people knew about its early stages about an impoverished family taking on jobs as servants of a wealthy family, they probably wouldn’t have been able to guess where the story was going. But enough people trusted Bong enough to see the film, which they overwhelmingly loved. Word of mouth carried the film to a Best Picture Oscar win, even though it was still a tricky movie to summarize because of all the subtleties and tonal shifts. 

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March 3, 2025 This week, I’m going to do what I usually do and review the biggest as-yet-unreviewed movie at the weekend box office with “Last Breath.” However, I’m also going to take a detour and review the film that just won Best Picture at the Academy Awards in “Anora.” My rationale is that the Oscar win may lead to renewed interest, and thus a spike in ticket sales, on a national level. Also, I’ve wanted an excuse to talk about this movie for months. But first, the “hot” new release…

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February 24, 2025 “The Monkey” is a movie on the sillier end of the horror spectrum. It’s so silly that the catalyst for the many, many deaths that occur throughout its runtime is a literal toy. Granted, it’s a toy that I’ve never known anyone to actually like, and come to think of it, I don’t think I’ve ever seen one referenced in popular culture without accompanying commentary about its creepiness. I’m speaking, of course, about the eponymous monkey: a wind-up primate that plays a drum. The monkey in this movie is indeed creepy, but it’s far from the scariest I’ve ever seen. In fact, I’d say this hard-R horror movie has a less freaky monkey than the one in the G-rated “Toy Story 3.” But the scares here don’t come from the monkey itself so much as the horrific (but again, very silly) violence that accompanies the monkey everywhere. 

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February 17, 2025 The Marvel Cinematic Universe at large got to take a break in 2024. Sure, “Deadpool & Wolverine” was one of the biggest hits of the year, but that was more about Disney showing off its newly-acquired 20th Century Fox toys than advancing the lore of its bread-and-butter franchise. But “Captain America: Brave New World” brings back the classics, invoking two characters that brought fans into the MCU in the first place: Captain America and The Incredible Hulk. Sure, it’s the Sam “Falcon” Wilson (Anthony Mackie) version of Captain America, and the Hulk connection doesn’t actually involve Bruce Banner, but a good movie can make audiences care about the evolution of these characters even without the more familiar faces. Unfortunately, this particular movie seems to be reminding people less of the glory days of the MCU and more of why it needed to take a break. 

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February 10, 2025 For whatever reason, the studios decided that what America wanted this Valentine’s season wasn’t romantic comedies or sweeping dramas, but violent R-rated fare with varying degrees of love and relationship theming. Frankly none of these movies are going to be big commercial hits, with “Dog Man” still ruling the box office this past weekend and “Captain America: Brave New World” sure to dominate Valentine’s Day itself. That’s why I’m smooshing these movies all together here, because they have a way of cancelling each other out. For example, even though the lot includes my favorite film of 2025 so far, it also includes my least favorite. Which brings me to…

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February 3, 2025 All January long, I’ve been mentioning (okay, “whining”) that the month is a dead zone for new movie releases. So it makes sense that the biggest release of the month would be one that opened on the very last day (Friday the 31st) before making most of its money in February. With an estimated $36 million in its first three days, “Dog Man” is already the biggest new movie of 2025. And its success isn’t just commercial, the joyful film also gets my first recommendation of the year. It’s a chilly recommendation, appropriate for January I suppose, but a recommendation nonetheless. The animated film is a spinoff from the “Captain Underpants” franchise. Apparently it’s based on a comic book created by the two kid protagonists of that series. Although I’ve never read any of the books or seen the 2017 film, this film does indeed seem like the brainchild of actual children.

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January 27, 2025 I notice that I’ve given a “C” rating to every movie I’ve reviewed in 2025. That’s four straight times I’ve basically said that the movie, while not worth writing off entirely, isn’t worth recommending. I even split the review last weekend and gave out two “C” ratings. Director Mel Gibson’s “Flight Risk” ends the “C” streak. It doesn’t end the streak by earning my recommendation, but by being a movie that I feel is indeed worth writing off.

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January 20, 2025 Since two new releases made about $11 million each at the domestic box office this past weekend, and since I don’t have much to say about either movie, I’ve decided to throw them both a quick review.  “Wolf Man” January horror movies are a special breed. The studio knows they can’t compete with blockbusters in the summer or better horror at Halloween, so they dump them in January hoping that the lack of competition will lead to a minor hit. This year’s offering is “Wolf Man,” a film whose trailer was so spiritedly derided that the film was practically declared a bomb before it even opened. “One of Them Days” follows two roommates and best friends, Dreux (Keke Palmer) and Alyssa (SZA), as they struggle to raise an emergency $1,500 to avoid eviction. Dreux is the responsible one, on the verge of a big promotion at work. Alyssa is the irresponsible one that trusted her no-good boyfriend (Joshua David Neal) with their rent money in the first place. Together they’ll get into some increasingly crazy and desperate adventures involving predatory loans, blood donation, abandoned sneakers, and more.

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January 13, 2025 It’s an odd choice to do a sequel to the 2018 heist movie “Den of Thieves” in 2025. The first film made less than $50 million at the domestic box office and to my knowledge doesn’t have much of a cult following. I didn’t see that film at the time, but I did see it on Max to prepare for the sequel, and was unimpressed. There was some competent action, but the story and characters were unoriginal and unengaging. I would have given it a C-. For such a bland movie to get a sequel at all seems unlikely, let alone one that goes to theaters and isn’t dumped on streaming or Video on Demand. For all I know, that was the plan and then some studio executive noticed there were no wide releases scheduled for this past weekend, so they just threw in whatever they had. The tactic worked, the film took the #1 spot away from the fourth weekend of “Mufasa,” but this is not a movie that I could see succeeding through any means other than a lack of competition. 

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January 6, 2025 Robert Eggers is one of those directors that always puts out exactly the movie he wants. I’m not saying that as a comment on his professionalism or his attitude, I’m saying that because he clearly has the ability to shut down naysayers. If he didn’t, we’d never get the archaic dialogue of 2015’s “The Witch” or the grainy imagery of 2019’s “The Lighthouse.” Here’s another idea that must have sounded ludicrous to his financial backers: a remake of a groundbreaking vampire film from over 100 years ago, a film whose legendary status makes it practically untouchable. The original came out five years before groundbreaking talkie “The Jazz Singer,” and there must have been a fear that Eggers’ take on the material would be about as well-received as the 1980 Neil Diamond version of that film (which is to say not well). But because Eggers puts out only what he wants, we have this sexually-tinged horror movie competing with Christmas blockbusters at the box office, and admirably holding its own. 

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December 30, 2024 Like many critics, I despised the 2019 CGI version of “The Lion King.” The new animation was ugly and the rehashing of the story from the 1994 classic without many changes made the whole thing seem unnecessary. But unlike many critics, I’m not ready to throw prequel “Mufasa: The Lion King” away just because of the sins of its predecessor. I’m not saying that it’s not still inextricably tied to the 2019 film, especially with its still-terrible CGI animation, but the story and characters can do some roaming on their own that makes for a breath of fresh air. 

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December 23, 2024 The “Sonic the Hedgehog” movie franchise has had quite the history. In 2019, jokes about the poorly-received first trailer were everywhere in pop culture. Paramount, to its credit, took the vitriol as constructive criticism and spent months redesigning the main character to have a more palatable appearance. When the upgraded movie was released in 2020, all was forgiven and the movie was a hit. The 2022 sequel was also a bigger hit than expected, with “Morbius” bombing the week before and audiences hungry for a blockbuster. And with the third film already earning over $60 million at the domestic box office in its first weekend, it’s a safe bet that it will be the biggest hit of Christmas 2024. The journey from Internet punching bag to must-see holiday destination is indeed an inspiring one, much more than anything that happens onscreen in the mess that is “Sonic the Hedgehog 3.” 

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December 16, 2024 In between the blockbusters of the Thanksgiving season and the blockbusters of the Christmas season comes “Kraven the Hunter,” a movie that was never going to be a blockbuster in any season. Sergei “Kraven” Kravinoff (Aaron Taylor-Johnson) is another one of those Spider-Man villains that’s getting his own movie because Sony still has a piece of the “Spider-Man” franchise and they think fans will mistake it for the Marvel Cinematic Universe, which is owned by Disney. “Venom,” “Morbius,” and “Madame Web” are all part of the same branch. Supposedly there are (or at least “were”) plans for a big Avengers-style crossover down the line, but these movies keep bombing so badly that fans don’t care if they continue. 

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December 9, 2024 “Gladiator II” has some awfully big sandals to fill, both commercially and creatively. Its predecessor, 2000’s “Gladiator,” made $187 million at the domestic box office. The new film has thus far made an estimated $132 million after three weekends of release. With a lot of money up for grabs in the upcoming holiday season, another $55 million isn’t out of the question. Maybe I could even stretch to see it making the $68 million it needs to hit the $200 million mark. Yes, inflation means that it’s less impressive to make these numbers now than it did nearly a quarter-century ago, but these are attainable goals. What I do not see as attainable is the sequel ever becoming as well-regarded as the original. That film won the Academy Award for Best Picture, so already the new one has to live up to an impossibly high (dare I say “gold”?) standard. But even with realistic standards, this movie is still a disappointment.

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December 2, 2024 2016’s “Moana” is probably my favorite animated Disney movie of the modern era. I have plenty of nice things to say about “Frozen,” “Zootopia,” “Encanto,” and several others, but “Moana,” with its timelessly-relatable main character, sharp physical comedy, and multiple memorable songs, puts it just a coir above the competition. When an evidently-rushed sequel was announced earlier this year, I became nervous. What if the new film was so disappointing that it affected my opinion of the original? Now that I’ve seen the film, I’m happy to report that my enjoyment of the original is not tarnished by this underwhelming sequel. 

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